Jewel-Toned Embroidered Kurti Set
An embroidered kurti and salwar, paired with a fluid dupatta in jewel-toned hues of lapis, emerald and vintage rose
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PRODUCT SPECIFICATION
An embroidered kurti and salwar, paired with a fluid dupatta in jewel-toned hues of lapis, emerald and vintage rose.
Inspired by the rich nomadic craft traditions of the desert belt—from Kutch and Sindh to Balochistan—the ensemble is layered with motifs drawn from Sindhi taka, Balochi sheesha and resham work, and Kutchhi abhla embroidery. Its printed ground is recreated from an ajrakh textile preserved in the RAH archives, while the silhouette and colour-blocking echo a late 19th century Balochi robe from the collection.
There is a quiet intimacy to the moment—the warmth of the fading day, the softness of the fabric, and the feeling of being briefly suspended in one’s own thoughts.
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MATERIAL & CARE
Material Specification
Kurta: Tulle & Blended Silk
Salwar : Tulle & Blended Silk
Dupatta: Tulle
Wash Care: Dry Clean Only
Storage Instructions: We recommend storing your outfit in its original packaging in a dry environment and avoid prolonged exposure to light or heat. -
DISCLAIMER
No Exchange, No Refund, No Cancellation
This is a handcrafted product containing vintage fabrics, threads, sequins, zari, etc., and may have slight irregularities or imperfections. These irregularities are the result of the human involvement in the process and raw material that adds to the finished product’s charm while ensuring you have a "one-of-a-kind piece.”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply with the RAH terms and conditions. -
INSPIRATION STORY
There exists a moment, just before the lights come alive— when the studio is still, the air thick with memory, and the muse waits.
Memoirs of the Marquee is an ode to that pause in time.
A cinematic reverie that journeys through the golden eras of Indian cinema—the 1930s, ’40s and ’50s—where muses were not merely under the arc lights, but immortalised. Performers, artists and film makers who carried an aura of quiet power, poised between anonymity and legend.
Set within the solitude of a forgotten theatre, the collection imagines these yesteryear muses as they arrive for their portrait sessions—stepping into pools of light, before the arc lamps awaken. The backdrop, textured and timeworn, becomes both stage and witness—echoing stories of a thousand untold frames.
Their attire, evocative of the roles they played in life, on screen and off screen, in the public eye and in their personal domain, unfold like film reels—drenched in sequins, crystals, and painstaking zardozi embroideries that catch light like fleeting flashes of a camera. Each silhouette is sculpted to evoke a sense of stillness and movement at once—much like a captured moment suspended between action and memory.There exists a moment, just before the lights come alive— when the studio is still, the air thick with memory, and the muse waits.
Memoirs of the Marquee is an ode to that pause in time.
A cinematic reverie that journeys through the golden eras of Indian cinema—the 1930s, ’40s and ’50s—where muses were not merely under the arc lights, but immortalised. Performers, artists and film makers who carried an aura of quiet power, poised between anonymity and legend.
Set within the solitude of a forgotten theatre, the collection imagines these yesteryear muses as they arrive for their portrait sessions—stepping into pools of light, before the arc lamps awaken. The backdrop, textured and timeworn, becomes both stage and witness—echoing stories of a thousand untold frames.
Their attire, evocative of the roles they played in life, on screen and off screen, in the public eye and in their personal domain, unfold like film reels—drenched in sequins, crystals, and painstaking zardozi embroideries that catch light like fleeting flashes of a camera. Each silhouette is sculpted to evoke a sense of stillness and movement at once—much like a captured moment suspended between action and memory.
The palette traverses deep jewel tones, burnished metallics, and softened pastels—mirroring the tonalities of aged film, where colour fades but emotion lingers.
This is couture as portraiture. Each ensemble, a frame. Each woman, a story waiting to be told.
There exists a moment, just before the lights come alive— when the studio is still, the air thick with memory, and the muse waits.
Memoirs of the Marquee is an ode to that pause in time.
A cinematic reverie that journeys through the golden eras of Indian cinema—the 1930s, ’40s and ’50s—where muses were not merely under the arc lights, but immortalised. Performers, artists and film makers who carried an aura of quiet power, poised between anonymity and legend.
Set within the solitude of a forgotten theatre, the collection imagines these yesteryear muses as they arrive for their portrait sessions—stepping into pools of light, before the arc lamps awaken. The backdrop, textured and timeworn, becomes both stage and witness—echoing stories of a thousand untold frames.
Their attire, evocative of the roles they played in life, on screen and off screen, in the public eye and in their personal domain, unfold like film reels—drenched in sequins, crystals, and painstaking zardozi embroideries that catch light like fleeting flashes of a camera. Each silhouette is sculpted to evoke a sense of stillness and movement at once—much like a captured moment suspended between action and memory.
There exists a moment, just before the lights come alive— when the studio is still, the air thick with memory, and the muse waits.
Memoirs of the Marquee is an ode to that pause in time.
A cinematic reverie that journeys through the golden eras of Indian cinema—the 1930s, ’40s and ’50s—where muses were not merely under the arc lights, but immortalised. Performers, artists and film makers who carried an aura of quiet power, poised between anonymity and legend.
Set within the solitude of a forgotten theatre, the collection imagines these yesteryear muses as they arrive for their portrait sessions—stepping into pools of light, before the arc lamps awaken. The backdrop, textured and timeworn, becomes both stage and witness—echoing stories of a thousand untold frames.
Their attire, evocative of the roles they played in life, on screen and off screen, in the public eye and in their personal domain, unfold like film reels—drenched in sequins, crystals, and painstaking zardozi embroideries that catch light like fleeting flashes of a camera. Each silhouette is sculpted to evoke a sense of stillness and movement at once—much like a captured moment suspended between action and memory.
The palette traverses deep jewel tones, burnished metallics, and softened pastels—mirroring the tonalities of aged film, where colour fades but emotion lingers.
This is couture as portraiture. Each ensemble, a frame. Each woman, a story waiting to be told.
An embroidered kurti and salwar, paired with a fluid dupatta in jewel-toned hues of lapis, emerald and vintage rose.
Inspired by the rich nomadic craft traditions of the desert belt—from Kutch and Sindh to Balochistan—the ensemble is layered with motifs drawn from Sindhi taka, Balochi sheesha and resham work, and Kutchhi abhla embroidery. Its printed ground is recreated from an ajrakh textile preserved in the RAH archives, while the silhouette and colour-blocking echo a late 19th century Balochi robe from the collection.
There is a quiet intimacy to the moment—the warmth of the fading day, the softness of the fabric, and the feeling of being briefly suspended in one’s own thoughts.
Material Specification
Kurta: Tulle & Blended Silk
Salwar : Tulle & Blended Silk
Dupatta: Tulle
Wash Care: Dry Clean Only
Storage Instructions: We recommend storing your outfit in its original packaging in a dry environment and avoid prolonged exposure to light or heat.
No Exchange, No Refund, No Cancellation
This is a handcrafted product containing vintage fabrics, threads, sequins, zari, etc., and may have slight
irregularities or imperfections. These irregularities are the result of the human involvement in the process and
raw material that adds to the finished product’s charm while ensuring you have a "one-of-a-kind piece.”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may
vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and
other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply
with the RAH terms and conditions.
