Ivory And Deep Red Lehenga
PRICE ON REQUEST
An ivory and deep red lehenga paired with a choli and a Benarsi dupatta
Couldn't load pickup availability
-
SPECIFICATIONS
An ivory and deep red lehenga. The skirt features an interlaced dabbi jaal which is layered with floral and avian motifs derived from archival brocade fragments. It is paired with an embroidered illusion tie-up choli and a Benarsi dupatta that is layered with a hand crafted bandhej pattern, kasab-dori marodi ka kaam, sequins and pearls. The look is completed with a vivid ombré tulle veil.
-
MATERIAL & CARE
Material Specification
Blouse: Tulle & Blended Silk
Lehenga : Tulle & Blended Silk
Dupatta: Tulle
Wash Care: Dry Clean Only
Storage Instructions: We recommend storing your outfit in its original packaging in a dry environment and avoid prolonged exposure to light or heat. -
DISCLAIMER
No Exchange, No Refund, No Cancellation
This is a handcrafted product containing vintage fabrics, threads, sequins, zari, etc., and may have slight irregularities or imperfections. These irregularities are the result of the human involvement in the process and raw material that adds to the finished product’s charm while ensuring you have a "one-of-a-kind piece.”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply with the RAH terms and conditions. -
INSPIRATION STORY
Tucked away in the dusty folds of time, somewhere between the hills and the hush of wild grass, stands an old hunting lodge — abandoned by men, but kept alive by memory.
Once a place of arrival, of viewing and being viewed — it now belongs to three women who live there like keepers of a secret. Daughters of a forgotten estate, or perhaps just muses out of time, they spend their days moving between verandahs, reading corners, and the faintly perfumed shadows of a wooden vanity.
One summer, they decide to stage something of their own: A portrait session — not for society, not for suitors, but for themselves.
They stitch a backdrop from remnants of fabrics locked up in the attic. Fill the lodge with rose blossoms and call a wandering photographer from a nearby town. And dress in lehengas and sarees, echoes of heirlooms, and quiet rebellion.
They are seen, finally, as they wish to be seen and not as mere memories of a forgotten era.Tucked away in the dusty folds of time, somewhere between the hills and the hush of wild grass, stands an old hunting lodge — abandoned by men, but kept alive by memory.
Once a place of arrival, of viewing and being viewed — it now belongs to three women who live there like keepers of a secret. Daughters of a forgotten estate, or perhaps just muses out of time, they spend their days moving between verandahs, reading corners, and the faintly perfumed shadows of a wooden vanity.
One summer, they decide to stage something of their own: A portrait session — not for society, not for suitors, but for themselves.
They stitch a backdrop from remnants of fabrics locked up in the attic. Fill the lodge with rose blossoms and call a wandering photographer from a nearby town. And dress in lehengas and sarees, echoes of heirlooms, and quiet rebellion.
They are seen, finally, as they wish to be seen and not as mere memories of a forgotten era.
Tucked away in the dusty folds of time, somewhere between the hills and the hush of wild grass, stands an old hunting lodge — abandoned by men, but kept alive by memory.
Once a place of arrival, of viewing and being viewed — it now belongs to three women who live there like keepers of a secret. Daughters of a forgotten estate, or perhaps just muses out of time, they spend their days moving between verandahs, reading corners, and the faintly perfumed shadows of a wooden vanity.
One summer, they decide to stage something of their own: A portrait session — not for society, not for suitors, but for themselves.
They stitch a backdrop from remnants of fabrics locked up in the attic. Fill the lodge with rose blossoms and call a wandering photographer from a nearby town. And dress in lehengas and sarees, echoes of heirlooms, and quiet rebellion.
They are seen, finally, as they wish to be seen and not as mere memories of a forgotten era.
Tucked away in the dusty folds of time, somewhere between the hills and the hush of wild grass, stands an old hunting lodge — abandoned by men, but kept alive by memory.
Once a place of arrival, of viewing and being viewed — it now belongs to three women who live there like keepers of a secret. Daughters of a forgotten estate, or perhaps just muses out of time, they spend their days moving between verandahs, reading corners, and the faintly perfumed shadows of a wooden vanity.
One summer, they decide to stage something of their own: A portrait session — not for society, not for suitors, but for themselves.
They stitch a backdrop from remnants of fabrics locked up in the attic. Fill the lodge with rose blossoms and call a wandering photographer from a nearby town. And dress in lehengas and sarees, echoes of heirlooms, and quiet rebellion.
They are seen, finally, as they wish to be seen and not as mere memories of a forgotten era.
An ivory and deep red lehenga. The skirt features an interlaced dabbi jaal which is layered with floral and avian motifs derived from archival brocade fragments. It is paired with an embroidered illusion tie-up choli and a Benarsi dupatta that is layered with a hand crafted bandhej pattern, kasab-dori marodi ka kaam, sequins and pearls. The look is completed with a vivid ombré tulle veil.
Material Specification
Blouse: Tulle & Blended Silk
Lehenga : Tulle & Blended Silk
Dupatta: Tulle
Wash Care: Dry Clean Only
Storage Instructions: We recommend storing your outfit in its original packaging in a dry environment and avoid prolonged exposure to light or heat.
No Exchange, No Refund, No Cancellation
This is a handcrafted product containing vintage fabrics, threads, sequins, zari, etc., and may have slight
irregularities or imperfections. These irregularities are the result of the human involvement in the process and
raw material that adds to the finished product’s charm while ensuring you have a "one-of-a-kind piece.”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may
vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and
other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply
with the RAH terms and conditions.
