Carnation Pink Silk Lehenga
PRICE ON REQUEST
A carnation pink silk lehenga paired with an illusion tie-up choli and a multi-hued dupatta
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PRODUCT SPECIFICATION
A carnation pink silk lehenga, entirely hand embroidered and illuminated with an intricate constellation of mirrors. The ensemble draws its inspiration from the opulent art of Thikri — the age-old decorative mirror inlay tradition that journeyed to the Indian subcontinent through Persian traders, flourished under the Mughals, and found enduring patronage within the palaces and forts of Rajputana.
An ode to forgotten crafts and craftsmanship, the lehenga echoes the ornamental language of Mughal architecture. The sweeping ghera is rendered in a delicate jaali of diamond-cut mirrors, reminiscent of the geometric stone lattices filtering light through ancient palace corridors. Across the skirt emerge motifs of cypress trees, fanned peacocks, and overflowing floral vases — emblems borrowed from miniature paintings and imperial frescoes.
The multi-hued dupatta unfolds like stained glass touched by the last light of dusk, its colour-blocked dabbi jaal inspired by Mughal lattice work and cathedral windows left behind in memory and time.
Each mirror is meticulously secured using old zardozi techniques with kasab, dabka and naqshi, preserving the poetry of handcraft in every glimmering surface — as though the garment itself were a fading palace hall catching candlelight before the curtains rise.
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MATERIAL & CARE
Material Specification
Blouse: Tulle & Blended Silk
Lehenga : Tulle & Blended Silk
Dupatta: Tulle
Wash Care: Dry Clean Only
Storage Instructions: We recommend storing your outfit in its original packaging in a dry environment and avoid prolonged exposure to light or heat. -
DISCLAIMER
No Exchange, No Refund, No Cancellation
This is a handcrafted product containing vintage fabrics, threads, sequins, zari, etc., and may have slight irregularities or imperfections. These irregularities are the result of the human involvement in the process and raw material that adds to the finished product’s charm while ensuring you have a "one-of-a-kind piece.”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply with the RAH terms and conditions. -
INSPIRATION STORY
There exists a moment, just before the lights come alive— when the studio is still, the air thick with memory, and the muse waits.
Memoirs of the Marquee is an ode to that pause in time.
A cinematic reverie that journeys through the golden eras of Indian cinema—the 1930s, ’40s and ’50s—where muses were not merely under the arc lights, but immortalised. Performers, artists and film makers who carried an aura of quiet power, poised between anonymity and legend.
Set within the solitude of a forgotten theatre, the collection imagines these yesteryear muses as they arrive for their portrait sessions—stepping into pools of light, before the arc lamps awaken. The backdrop, textured and timeworn, becomes both stage and witness—echoing stories of a thousand untold frames.
Their attire, evocative of the roles they played in life, on screen and off screen, in the public eye and in their personal domain, unfold like film reels—drenched in sequins, crystals, and painstaking zardozi embroideries that catch light like fleeting flashes of a camera. Each silhouette is sculpted to evoke a sense of stillness and movement at once—much like a captured moment suspended between action and memory.There exists a moment, just before the lights come alive— when the studio is still, the air thick with memory, and the muse waits.
Memoirs of the Marquee is an ode to that pause in time.
A cinematic reverie that journeys through the golden eras of Indian cinema—the 1930s, ’40s and ’50s—where muses were not merely under the arc lights, but immortalised. Performers, artists and film makers who carried an aura of quiet power, poised between anonymity and legend.
Set within the solitude of a forgotten theatre, the collection imagines these yesteryear muses as they arrive for their portrait sessions—stepping into pools of light, before the arc lamps awaken. The backdrop, textured and timeworn, becomes both stage and witness—echoing stories of a thousand untold frames.
Their attire, evocative of the roles they played in life, on screen and off screen, in the public eye and in their personal domain, unfold like film reels—drenched in sequins, crystals, and painstaking zardozi embroideries that catch light like fleeting flashes of a camera. Each silhouette is sculpted to evoke a sense of stillness and movement at once—much like a captured moment suspended between action and memory.
The palette traverses deep jewel tones, burnished metallics, and softened pastels—mirroring the tonalities of aged film, where colour fades but emotion lingers.
This is couture as portraiture. Each ensemble, a frame. Each woman, a story waiting to be told.
There exists a moment, just before the lights come alive— when the studio is still, the air thick with memory, and the muse waits.
Memoirs of the Marquee is an ode to that pause in time.
A cinematic reverie that journeys through the golden eras of Indian cinema—the 1930s, ’40s and ’50s—where muses were not merely under the arc lights, but immortalised. Performers, artists and film makers who carried an aura of quiet power, poised between anonymity and legend.
Set within the solitude of a forgotten theatre, the collection imagines these yesteryear muses as they arrive for their portrait sessions—stepping into pools of light, before the arc lamps awaken. The backdrop, textured and timeworn, becomes both stage and witness—echoing stories of a thousand untold frames.
Their attire, evocative of the roles they played in life, on screen and off screen, in the public eye and in their personal domain, unfold like film reels—drenched in sequins, crystals, and painstaking zardozi embroideries that catch light like fleeting flashes of a camera. Each silhouette is sculpted to evoke a sense of stillness and movement at once—much like a captured moment suspended between action and memory.
There exists a moment, just before the lights come alive— when the studio is still, the air thick with memory, and the muse waits.
Memoirs of the Marquee is an ode to that pause in time.
A cinematic reverie that journeys through the golden eras of Indian cinema—the 1930s, ’40s and ’50s—where muses were not merely under the arc lights, but immortalised. Performers, artists and film makers who carried an aura of quiet power, poised between anonymity and legend.
Set within the solitude of a forgotten theatre, the collection imagines these yesteryear muses as they arrive for their portrait sessions—stepping into pools of light, before the arc lamps awaken. The backdrop, textured and timeworn, becomes both stage and witness—echoing stories of a thousand untold frames.
Their attire, evocative of the roles they played in life, on screen and off screen, in the public eye and in their personal domain, unfold like film reels—drenched in sequins, crystals, and painstaking zardozi embroideries that catch light like fleeting flashes of a camera. Each silhouette is sculpted to evoke a sense of stillness and movement at once—much like a captured moment suspended between action and memory.
The palette traverses deep jewel tones, burnished metallics, and softened pastels—mirroring the tonalities of aged film, where colour fades but emotion lingers.
This is couture as portraiture. Each ensemble, a frame. Each woman, a story waiting to be told.
A carnation pink silk lehenga, entirely hand embroidered and illuminated with an intricate constellation of mirrors. The ensemble draws its inspiration from the opulent art of Thikri — the age-old decorative mirror inlay tradition that journeyed to the Indian subcontinent through Persian traders, flourished under the Mughals, and found enduring patronage within the palaces and forts of Rajputana.
An ode to forgotten crafts and craftsmanship, the lehenga echoes the ornamental language of Mughal architecture. The sweeping ghera is rendered in a delicate jaali of diamond-cut mirrors, reminiscent of the geometric stone lattices filtering light through ancient palace corridors. Across the skirt emerge motifs of cypress trees, fanned peacocks, and overflowing floral vases — emblems borrowed from miniature paintings and imperial frescoes.
The multi-hued dupatta unfolds like stained glass touched by the last light of dusk, its colour-blocked dabbi jaal inspired by Mughal lattice work and cathedral windows left behind in memory and time.
Each mirror is meticulously secured using old zardozi techniques with kasab, dabka and naqshi, preserving the poetry of handcraft in every glimmering surface — as though the garment itself were a fading palace hall catching candlelight before the curtains rise.
Material Specification
Blouse: Tulle & Blended Silk
Lehenga : Tulle & Blended Silk
Dupatta: Tulle
Wash Care: Dry Clean Only
Storage Instructions: We recommend storing your outfit in its original packaging in a dry environment and avoid prolonged exposure to light or heat.
No Exchange, No Refund, No Cancellation
This is a handcrafted product containing vintage fabrics, threads, sequins, zari, etc., and may have slight
irregularities or imperfections. These irregularities are the result of the human involvement in the process and
raw material that adds to the finished product’s charm while ensuring you have a "one-of-a-kind piece.”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may
vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and
other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply
with the RAH terms and conditions.
