Antique Rose Embroidered Lehenga
Price on Request
A fully hand-embroidered lehenga in earthy blush, rose, taupe and burnt orange hues, paired with a vintage-rose organza dupatta adorned with an intricate floral jaal.
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PRODUCT SPECIFICATION
A fully hand-embroidered lehenga in earthy blush, rose, taupe and burnt orange hues, its voluminous silhouette inspired by the ghaghras of yore and crafted across thirty-two kalis. Mughal dabbi jaals echo the stone lattices and inlay of old architecture, while intricate motifs inspired by eighteenth- and nineteenth-century Kashmiri tilla shawls meet floral vines drawn from antique brocade fragments.
The richly embroidered borders draw from a mid-nineteenth-century zardozi textile, adding depth and ornamentation to the sweeping silhouette. A vintage-rose organza dupatta completes the ensemble with an intricate floral jaal inspired by an antique Persian carpet, bringing together layers of craft, colour and textile memory.
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MATERIAL & CARE
Material Specification
Lehenga: Tulle & Blended Silk
Blouse: Tulle & Blended Silk
Dupatta: Tulle
Wash Care: Dry Clean Only
Storage Instructions: We recommend storing your outfit in its original packaging in a dry environment and avoid prolonged exposure to light or heat. -
DISCLAIMER
No Exchange, No Refund, No Cancellation
This is a handcrafted product containing vintage fabrics, threads, sequins, zari, etc., and may have slight irregularities or imperfections. These irregularities are the result of the human involvement in the process and raw material that adds to the finished product’s charm while ensuring you have a "one-of-a-kind piece.”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply with the RAH terms and conditions. -
INSPIRATION STORY
There are places that exist on maps, and there are places that survive only in memory.
Bagh is a surreal re-imagination of the human stories of Punjab and the North-West Frontier — of landscapes once inhabited, homes left behind, journeys undertaken, and loves and losses carried quietly across them.
Rooted in the cultural memory of undivided Punjab, the collection looks beyond history and imagines the people within it. Old archival textiles become fragments of memory; traditional garments become traces of lives once lived. From these fragments emerges not simply a visual language, but a sense of being — an attempt to evoke the presence of a world that history can describe, but never fully return to us. The great love stories of the region — Heer and Ranjha, Sohni and Mahiwal — linger through the collection as echoes of separation, devotion and impossible longing.
Lungis, anarkalis, shararas, lehengas and sherwanis unfold in earthy fawns, beiges, mustard, taupe, ivory, midnight, black and deep maroon, with glimmers of gold, bronze and copper. Archival references are reimagined through gota, zardozi embroidery and layers of couture craftsmanship.
Yet Bagh is not an attempt to reconstruct a Punjab that once was.
It is a dream of a Punjab remembered — and perhaps, imagined. A place where histories overlap, identities meet, borders disappear, and stories belong to everyone. At its heart, Bagh is secular. Its only religion is that of the soul — love, longing and the eternal yearning for home.
A collection about what remains after we leave: a fragment of cloth, a remembered face, a half-forgotten song, a story carried from one generation to another — and perhaps, the strange ache of longing for a place we have never known, but somehow remember.
There are places that exist on maps, and there are places that survive only in memory.
Bagh is a surreal re-imagination of the human stories of Punjab and the North-West Frontier — of landscapes once inhabited, homes left behind, journeys undertaken, and loves and losses carried quietly across them.
Rooted in the cultural memory of undivided Punjab, the collection looks beyond history and imagines the people within it. Old archival textiles become fragments of memory; traditional garments become traces of lives once lived. From these fragments emerges not simply a visual language, but a sense of being — an attempt to evoke the presence of a world that history can describe, but never fully return to us. The great love stories of the region — Heer and Ranjha, Sohni and Mahiwal — linger through the collection as echoes of separation, devotion and impossible longing.
Lungis, anarkalis, shararas, lehengas and sherwanis unfold in earthy fawns, beiges, mustard, taupe, ivory, midnight, black and deep maroon, with glimmers of gold, bronze and copper. Archival references are reimagined through gota, zardozi embroidery and layers of couture craftsmanship.
Yet Bagh is not an attempt to reconstruct a Punjab that once was.
It is a dream of a Punjab remembered — and perhaps, imagined. A place where histories overlap, identities meet, borders disappear, and stories belong to everyone. At its heart, Bagh is secular. Its only religion is that of the soul — love, longing and the eternal yearning for home.
A collection about what remains after we leave: a fragment of cloth, a remembered face, a half-forgotten song, a story carried from one generation to another — and perhaps, the strange ache of longing for a place we have never known, but somehow remember.
A fully hand-embroidered lehenga in earthy blush, rose, taupe and burnt orange hues, its voluminous silhouette inspired by the ghaghras of yore and crafted across thirty-two kalis. Mughal dabbi jaals echo the stone lattices and inlay of old architecture, while intricate motifs inspired by eighteenth- and nineteenth-century Kashmiri tilla shawls meet floral vines drawn from antique brocade fragments.
The richly embroidered borders draw from a mid-nineteenth-century zardozi textile, adding depth and ornamentation to the sweeping silhouette. A vintage-rose organza dupatta completes the ensemble with an intricate floral jaal inspired by an antique Persian carpet, bringing together layers of craft, colour and textile memory.
Material Specification
Lehenga: Tulle & Blended Silk
Blouse: Tulle & Blended Silk
Dupatta: Tulle
Wash Care: Dry Clean Only
Storage Instructions: We recommend storing your outfit in its original packaging in a dry environment and avoid prolonged exposure to light or heat.
No Exchange, No Refund, No Cancellation
This is a handcrafted product containing vintage fabrics, threads, sequins, zari, etc., and may have slight
irregularities or imperfections. These irregularities are the result of the human involvement in the process and
raw material that adds to the finished product’s charm while ensuring you have a "one-of-a-kind piece.”
Despite every effort to provide accurate images of each outfit's color and design, actual colors and design may
vary slightly due to the screen settings of different devices, the mood and lighting in the shoot location, and
other factors.
Any returns for a product due to customer dissatisfaction with a finish (that is not a fault) will need to comply
with the RAH terms and conditions.
